CM Shapka making

shap_001

First of all, i block out the basic shape and objects i want to work with. That is what front/side views are for, extremely important, as it saves you from resizing it around later, if you set the proportions first.shap_002

After some smoothing i fit it on the charachters head and export it into Zbrush along with the CM.shap_003

After that i’m doing some roughing out the shapes and try to blend everything together.shap_004

After that comes some more refining, rethinking the hair flow, adding some minor details and all that.shap_005

After using polish brush a lot, smoothing and subdividing, i add these little gold hard-edged bits.shap_006Blocking out some basic color, sampling them from various default CM textures. shap_007

And adding some polypaint shading. You can see the flat color and the material.shap_008

Afther that comes retopoing, i’m giving the most detail to the front part, that’ll be seen the most on the portrait view. I’m a bit over the limit, but that’s okay.shap_009

Imported back in Max, the hat part and the hair on the back don’t actually connect. I’ll use alphas to fake the volume of the fur.shap_010

Unwrapping is pretty basic, since i’ve got two parts, basically. I was thinking about baking them separately, but baking it together gave better results, as in, it looked more organic, and i just cleaned up the hat fringe(on the back) with the alphashap_011

First ingame test shows us that the colors are pretty dark and the hair doesn’t connect with the face. After a bunch of tests, it turned out that CM files are outdated, so i quickly decompiled her recent model and reskinned.shap_012As you can see, it fits better now.

hair_mugen_m2

And after that i pushed out the forms a bit, brightened the colors all around, and pushed out the top of the hat a bit.

And it’s on the workshop

 

Resonant Vibrance

sltv_promo

This Starladder Season comes with the first ever evolving Rubick set! You can get your own here: http://www.dota2.com/store/itemdetails/20247

Also, check out these bonus materials:

sordo4 slhead sordo sordo2 sordo3 staff colors heads heads2 kingo lenses

Vertex-Based Particle Import

So we’ve got a new particle system to play, let’s see what it does!
Particles that we allowed to change right now include special weapons effect, like Bounty Hunter Jinada glow, Anti-Mage glowing weapon that replaced vibrating lightning and Phatom Assasins golden glow. Let’s review what Valve told us!

For items which have effects on them by default, such as edge glows, item authors will be required to submit a .dmx or .fbx mesh which defines where these particles should go on their item. This will use base effect authored for the item and place the particles accordingly.

To do this, create a new mesh, much like creating an LOD. However, this mesh will represent particle positions, one per vertex. Triangles, faces, and general connectivity do not matter on this mesh. The best way to create a mesh for this is to treat it as a single polygon. Keep in mind that particles will be created from all vertices in the mesh, so do not attempt to create valid convex or closed triangles in the traditional sense if this creates vertices in undesired locations.

While it is possible to use the vertices from the original mesh, generally speaking the density will not end up being appropriate for the effect. In addition, UV’s, hard edges, etc. can create duplicate vertices in some cases which is generally undesirable.

There is a hard limit to the particle count allowed for each item.

While each piece of modeling software will vary, here is an example of how to quickly create effects for an item in Maya :

First, start with your finished geometry. Select this mesh and Modify->Make Live. This will allow us to use the base mesh to draw vertices for our new mesh, while constraining them to the topology of the original.

Next switch to the Mesh->Create Polygon Tool. This will allow you to draw the new FX mesh locked to the live geo. The entire mesh will be a single polygon. Draw points where you wish to see particles, such as along a blade edge. The density of these points will usually be higher than that of the normal mesh, it may require a bit of trial and error to get the proper density for the desired look.

Once you’ve added all the points, you can export just the effects mesh. Name your mesh the same as the item with a _fx postfix, similar to an LOD.

Loading the effect into the item submission tool will show you a preview.

WHAT THE FUCK AM I DOING?!

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While this seems confusing at first, let’s take a look at the particle effects already ingame:
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As you can see, in reality, particle “line” is actually a bunch of dots. Every “dot” is actually a vertex in this “particle mesh”, so let’s try creating one ourselves!
So following Valves advice, let’s get our weapon model, decide where we want our particles (on the edge) and we will use the “blade” edges for our particle mesh. Just select them, detach and skin the same way you skinned your weapon.
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Export it, and load it up in the importer!
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It works! Kind of.
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As you can see, the effect is overwhelming, you can actually see the space between the particle dots, and there’s two rows of them! This happened because we grabbed the blade faces, but since it’s vertex-based particle effect, the vertices is all that matters! Because we grabbed the edge without any change, it repeats the wire and prodece the effect we don’t want. So let’s fix that! Getting back to our “particle mesh”, first, let’s add some more vertices on the edge! You can do this however you want, i just used Cut tool.
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After adding some more vertices, let’s see how it looks ingame!
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Great, now it’s smooth, seamless and looks almost great! It’s still overwhelmingand we still need to remove the second row that we left there. Let’s get into max and just delete them, right? Select them
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Press delete, and bam!
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Everything is gone D:
While our particle system is vertex based, it still needs some geometry too back it up (even if you managed to leave isolated vertices, it’ll give you error on import).
So what we want to do, is that we want to grab all the vertices we don’t need, weld them together so we can keep our vertices in one ugly polygon. Don’t worry if it looks bad, it’s only vertices that we care about.
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Let’s test it ingame now:
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Nice! We got rid of the second row and particle effect looks fine and dandy now! Remember that you can break it up all you want, skin them to any bone you like, get creative!
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As a side note, if you’re creating the particle mesh from your geometry mesh, make sure to reset uv mapping, you can just drop planar UV map on it. This needs to be done in order to avoid vertex doubling on the uv shell edges.

You can check out finished submission here

Omnimaster Healing Ward bonus

I also tried recording some video, but Camtasia said nope.

Mid sculpting. I had a hard time finding some solid owl sculptures and every asian culture seems to favor dragon, lions and demonic dogsies, so i kinda tried combining chinese sculpting setails, while keeping it not overdetailed.

After some sculpting i ditched the branch and the pedestal and decided that orb will be more fitting. Also basic polypainting with the solid color and some shadows. I’m going for Kurr-Ishimanari styled ward.

After the retopo i did this quick and awesome guide for Ike:

First ingame test, the pedestal is back, now round. Solid colors and too much contrast.

Because owl seemed huge i checked the sizes and it looks even smaller than Kurr-Ishimanari!

in order to try and balance things out i borrowed the flagpole and it seemed to even out composition and the size.

Not happy with the flagpole i’m boxing out some withered tree. Leaves were ditched later. Healing ward gots crazy polylimit of 2400, which allows me to use more geometry, but be more conservative on the texture.

First tree test seems lacking something, we figured out that we need to break the flow.

Changing the shape of the tree a bit and copy-pasting the branch saved me from resculpting and retopoing while keeping the silhouette interesting. Also added some MAGIC.

After the investigation, turned out that Kuur-Ishimanari ward is REALLY dark which prevents it from overbrightening. After toning down the color, adding topdown gradient and adding focal points with red and glowing eyes (MORE MAGIC to go with the aura effect) the texture is done. Pedestal is cracked and worn down, but it’s hard to see. Should’ve added more wear to it with bigger cracks and crumbled edges.

On the workshop